Violin restorations make sweet music
Hilton luthier blends musical and wood crafting talents in avocation
by Kristina Gabalski
It’s not very often that a vacation leads to a new avocation, but that was the case for Doug Wall, who skillfully restores old violins in a workshop in his home just north of the village of Hilton.
Doug was on a trip to Scotland in 2002, when he heard “wonderful fiddling music.” Intrigued, he decided to learn how to play.
“I was around 50 years old and said, ‘I gotta try that,’ ” Doug says. “I had no musical background at all.”
A year after the trip, he found a teacher, purchased a fiddle and started lessons.
“In 2005, I escaped from Kodak voluntarily,” Doug says. His fiddle teacher, knowing his talents and interest in woodworking, told him about violin repair and restoration workshops where he could learn the craft.
Doug says he attended his first workshop in 2006, led by Hans Nebel at the Massachusetts College of Liberal Arts.
“I fell in love with working on the instruments and am continuing to take classes every year,” he says.
Nebel is a renowned violin repair expert, Doug says. He is a third-generation member of a violin-making family in Germany. He came to the U.S. in the 1950s and is now 73 years old.
“He’s a phenomenal restorer – there’s no way to match what he does, he’s a great inspiration,” Doug says. “He’s one of the few people that people will take a Stradivarius to to get repaired.”
Doug estimates he has amassed about 400 hours of training over the past several years and says the technical name for his craft is luthier – someone who repairs string instruments. The work he does has changed little over the centuries.
“If Stradivari walked into my workshop, the tools would seem familiar to him,” Doug explains. Stradivari died in 1737.
Doug enjoys working with people and most often works to bring “attic violins” – instruments long neglected in attics or closets – back to life.
“People will come in with a violin that belonged to their grandfather and want to get it back into playing condition,” he says.
Doug can also help violinists and students who need their instruments repaired and he sells violins, bows and strings.
When a customer brings a violin in, Doug first evaluates the instrument in a multi-step process to ascertain its age and how and where it was made.
“I enjoy working with clients and explaining things to them,” he says.
Once the evaluation is complete, he will discuss options for repair and restoration.
“Most of the time, I can help out,” he says and will refer a client to someone else if he feels the work that needs to be done requires more skill than he has attained.
The archeology of the instruments fascinates Doug – the process of determining the age, origin and assessing previous repairs.
“What intrigues me about working on the violins is the puzzle you run into,” he says, “and deciding how to repair them.”
Much of the restoration work must be done by hand, including fitting all the parts to the violin, Doug says.
Many materials are also used in the re-touching process. Doug uses resins to mix colors to match the color of the instrument’s varnish. Powdered soluble pigments are used to meticulously restore even the finest grains.
It’s very rewarding to take an old violin and bring it back to playing condition,” he says. “It’s very, very interesting work, fascinating work. I love to do it.”
Note: Other information is available on Wall’s website: www.wallindependent.com.